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Musical projects 
the Anthropology of Music

The sonic and stylistic musical diversity one finds in Portugal has grown from long standing cultural traditions and also reflects the backgrounds of the many migrants that call the country home. On a world stage Portugal is known for its futebol players, but it really should be known for its musicians. I started playing music with my family growing up, and played clarinet starting in grade school, learning the guitar afterwards, which became my primary instrument. My study of music was grade school basic until I was able to learn from musicians and mestres in Portugal. 

Arriving in Lisbon not really knowing anyone, I found that playing music was an extraordinary way to connect to the place. In 2005 I started one of the first open mic nights in Lisbon at the first Lisbon Irish bar. I quickly adapted the concept when it was clear that players in town would rather just have a controlled jam session. The night brought in many of the city's working musicians, and through these connections of music and friendship, I was invited to join other projects and able to learn and further explore the country through music. Traveling throughout Portugal, and other parts of Europe and North America playing with these projects, there really is no better way of discovering a place. You often play shows as part of local traditional social and life-cycle events (Carnival, festas populares, New Year's eve celebrations, agricultural fairs, mercados, beach parties, city clubs, etc.) and you are treated as an invited guest of the communities where the shows are being held. Given the weird liminal space occupied by an unknown troubadour, people are eager to go a little crazy and share their lives with you. A decidedly different experience than rolling into a town as even a well-informed visitor. Shows are often sponsored by local community associations or local municipal governments and they often share their communities with you while hosting the band. What this means in practical terms is that you will almost always meet fascinating people and eat lots of really good food. 

Farra Fanfarra

Farra Fanfarra


Guitarist with Farra Fanfarra

Farra Fanfarra from Sintra and Lisboa is one the most widely travelled of Portugal's many well known brass bands. The bands draw inspiration from global brass music and players' own individual musical formation and exploration. Many of these musicians have played in community-based music associations, including village filarmónica bands and in Portuguese music schools, and have travelled internationally in cultural exchanges.


Farra Fanfarra experiments creatively with world brass music traditions, animated performances, elaborate choreographies, and palhaçaria (street animations), with a set list developed from national folk brass music traditions in Portugal as well as Afro-beat, Balkan brass, Indian wedding music, jazz, and orchestral arrangements, along with songs from global pop music. Farra Fanfarra has represented Portugal in international shows and competitions—winning the Best International Band prizes at Haizetara in (Pays Basque) 2016 and at the reknowned Guča Trumpet Festival (Serbia) in 2018. Farra Fanfarra has also helped to develop brass music in Portugal by participating in and hosting gatherings of national and international brass bands.


I have been a member of the Portuguese chartered cultural association "Farra Fanfarra Associação Cultural" since 2010, and have been performing with the band since 2008. During this time, the band and the association have been an incredible school of music, performance, and production. I have also worked as a member of the FFAC in the cultural association's many national and international cross associational global humanitarian and social equality projects held in Portugal, Europe, and North America.


My time with Farra Fanfarra has been part of research projects studying musical associativism. To read an article I wrote about Farra Fanfarra and the birth and growth of the phenomenon of Fanfarra style bands in Portugal (in a book about community brass bands), click here:      

Vrtlog (Dejan Petrovich)

Santiago Alquimista

J.J.D (Fela Kuti)

Live at Andanças

Kameleon Video


King Mokadi

Guitarist, Vocalist, songwriter with King Mokadi

King Mokadi, founded by a group of players and friends in the Lisbon music scene who came together around a weekly show at Gilins, playing to a Cais do Sodré audience composed mostly of thieves, nefarious characters, and the bairro's many sex workers and their dates. A collective of musicians from disperse geographic locations including Portugal, North America, Holland, Cabo Verde, Italy, and France, the development of King Mokadi sound has been an experiment in combining diverse origins, approaches and sensibilities. From trad-folk balls to the urban dancehall, King Mokadi plays original compositions and mashups in eclectic styles, including balk beat, afro-groove, salsero, jazz, blues, rock, grindhouse funk and trad-baileapocaliptico dance music. Dance-balls, club sets & weddings are King Mokadi's realm.

Salto ao sol

Live at Casa de Alentejo


Old Gilin's

Wednesday night show Teaser


Live at Casa de Alentejo





Guitarist with Rosinha

Quim may be the GOAT, but Rosinha is my favorite of Portugal's Pimba Stars, playing the highly popular music—known for using lyrics that celebrate village and domestic life sung through broad, bawdy and smack on the nose sexual entendres. Rosinha has turned the form upside down however, reclaiming the sexualized lyrics (which are usually sung by men who talk about women in clownish though sexist and lascivious fashion) as a form of sex positive and body positive women's and LGBTQ+ empowerment. One of my musical highlights in Portugal, having the chance to perform with Rosinha as one of the boys in her band. Viva a Rainha da Pimba!  

​é das gatas que eu gosto
Juntos à Tarde

Rosinha-é das gatas

Rosinha-é das gatas

Play Video

Eu Quero Porco no Espito


Juntos à Tarde